My commentary on Shroud of Turin related matters. I am an Australian evangelical Christian in my 70s. I am persuaded by the evidence that the Shroud of Turin is the burial sheet of Jesus Christ and bears His crucified and resurrected image! Jones [ 1 ]. This is part 1 of my concluding summary of the evidence that the radiocarbon dating of the Shroud of Turin as "mediaeval AD " [ 2 ] was the result of a computer hacking, allegedly by Arizona radiocarbon dating laboratory physicist Timothy W.
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Does Hidden Text Prove Shroud of Turin Real?
Shroud of Turin debate rekindled
Source: French researcher Tristan Casabianca, used with permission. In , Casabianca took legal action to obtain the raw data used in the controversial radiocarbon dating test on the Shroud of Turin — data that had been deliberately sequestered for three decades. But, the dating issue was unavoidable when, in , I presented a Shroud conference paper titled: "Do we really need new evidence and arguments about the Turin Shroud? And, since nearly 30 years had passed, I wanted to try to put an end to this dating controversy. Thanks to my legal background, the answer was obvious: A request based on the Freedom of Information Act. MA: You were baptized in , and filed the legal action against the British Museum in
Jesus Christ breakthrough as Shroud of Turin debate put to bed
Added September 11, This page is for additions, corrections, etc. The date in each entry refers to the chronological entry in the book or its appropriate place if it's a new entry.
Very small samples from the Shroud of Turin have been dated by accelerator mass spectrometry in laboratories at Arizona, Oxford and Zurich. As Controls, three samples whose ages had been determined independently were also dated. The results provide conclusive evidence that the linen of the Shroud of Turin is mediaeval. The Shroud of Turin , which many people believe was used to wrap Christ's body, bears detailed front and back images of a man who appears to have suffered whipping and crucifixion. It was first displayed at Lirey in France in the s and subsequently passed into the hands of the Dukes of Savoy.